I
have been thinking about a recent post in This Itch of Writing by Emma Darwin,
one of my top favorite blogs about writing. Darwin lists some amazing ways to
approach revising your work. Since I am currently working on editing a book,
her advice was spot on.
Rewriting
can often become a something of a chore. Showing up daily and booting up the
computer to go over page-by-page of your work not only seems daunting and
fraught with second-guessing (does that word work there? Will readers see I am
being funny? Should I make that sentence more/less obvious) but on some days,
downright boring. Your brain switches off and you stare at the rows of words with
lukewarm enthusiasm. I really need to go and dust those shutters, you tell
yourself. Or clean out the fridge. And return those library books….
Revising
doesn’t have the blood thumping charged feeling of creating a new story, of
introducing characters and situations and molding them into an exciting, interacting
whole. The scaffolding is off and the structure stands completed – well at
least the foundation and roof and rooms are done and even decorated. It is no
longer a blueprint awaiting the magic touch of your handiwork.
The
irony is that re-writing is where the real work begins. It is now that you can
polish and perfect your work, to delete and tighten your prose, and catch flaws
in plotting and inconsistencies in interaction between characters. Sometimes,
revising can change the entire pace and even the point of view of your story. Editing
gives you a chance to look at your story as a writer and editor, as a reader
and writer simultaneously. It can all get mentally exhausting though and I
think that’s why writers tend to approach the task of re-working with some
amount of trepidation. Being objective of your very subjective take on life
situations can be done but it is hard to sustain over a long period of time.
Some
of the ways I have found to be helpful in being on track with revising and
editing are:
Setting
a time limit every day to editing your work. After two hours, I tell myself,
you are free to do whatever you want. Very often, I become so engrossed that I
don’t notice it’s way past the deadline.
On certain
days, when it’s very hard to be motivated, I tell myself edit five pages, that’s
it; you’re done for the day. Again, once
I begin work and get into the flow, I end up having worked on considerably more
than five pages.
The
time-tested method of re-reading yesterday’s work can really jump-start not
just your writing motor but also your editing brain.
Promising
myself, that once I finish the day’s quota of editing, with the prospect of something
exciting: like writing out the outlines of your next book. Or maybe researching
locales and historical periods and characters that may help spark an idea for a
book.
These
are some of the ways that I combat editing fatigue. I would love to hear from
other writers about how they wrestle with it.